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i-D magazine, October 1987
(Image by Richard Croft)
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I’m just going to carry on like the old blues singers and die on stage in Chicago, probably. I don’t know. As the world knows, music has changed dramatically, and record labels have changed dramatically, their needs and requirements have changed dramatically. So somebody of an advanced age, shall we say, finds it very very difficult to convince, etc. But not convince an audience, but just convince the existing shops and so forth that you’re sellable and stockable. So it’s all very difficult. It doesn’t become easier. But nonetheless I’m still here.
Morrissey
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Promotional photo by Juergen Teller
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Morrissey on... his musical heroes»
Moz talks about the music scene of 1970s New York, and how it influenced him and his work.
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I’m like a lamb that has been sprayed with that dreadful blue ink. I’ve been indelibly stamped, indelibly marked, and I will always be considered unsafe and unsavoury.
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A shot by Renaud Monfourny for Crossbeat Magazine
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The paradox is that I have no love for myself as a human being, but I have immense pride in the music I make, and I believe it has an important place. Others do, too, and the thousands of people with Morrissey tattoos certainly proves something.
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Pics by Kevin Cummins, taken in Japan in May 1991
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Morrissey photographed by Tom Sheehan